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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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ORIGINAL AND KICKASS: KAINAZ JUSSAWALLA

Sixteen original, kickass quotes and phrases from award-winning author Kainaz Jussawalla’s new juicy and unfilte...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

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The Unforgettable One

On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen B...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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The Women who transformed television

It is important to make note of the people who work off screens. Success or failure, they are the root cause and would stand as a pillar despit...

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Two is Company

There has been, after Stieg Larsson’s ‘Girl’ books, a proliferation of kickass heroines. Crime fiction was never short of fem...

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The Night Crawlers

The Late Show, sounds like the last screening of a movie, ...

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